Sigils are commonplace. In mundane terms, we use our name as a representation of ourselves, we use a signature as authorisation, and we see traffic lights or signals as evidence that a train is coming! A sigil is hence a visible symbol, representing something else. In esoteric terms, we have the signs of the Zodiac as representing abstract qualities given to each sign. Magical literature is littered with seals, symbols and sigils used for various purposes. These are often drawn on talismans, staves, wands, pantacles, or inscribed on robes during ritual. They can also be drawn on the ground to act as magical circles of protection. However, a sigil has a far more specific use to the practical magician, and this is as a tool to effect changes in accordance with will.The esoteric artist, Austin Osman Spare (1888-1956) defined sigils as “the means of guiding and uniting the partially free belief.” By ‘partially free belief’ he meant anything desired that was not yet an obsession. This reminds us of Aleister Crowley’s injunction to work “without lust of result.”
That is to say, if the change you require to take place is bigger than you, and you are not in control of it, then you are unlikely to succeed in bringing it about.
Fanatical love or revenge spells rarely work if the person is consumed by the desire. It is far easier to bring change through already available channels in small ways than it is to change the entire universe to suit you! It is easier to work for promotion if you are already in a job; if you cast a luck sigil, start playing games of chance; and if you do decide on a love sigil, get out of the house more!
The creation of a sigil has two phases; construction and casting. In the first part, the sigil is planned, designed and created as a physical item (although it can be created as a visualised sigil with the same process), and in the second part, it is empowered to make it live.