The Druids were the educated elite of what is now called the “Celtic”
race. The ancient Druids consisted of three “castes”, or divisions –
Bards, Ovates and Druids.
The Bard learned all of the tales of the chieftain’s victories and the
secret lore of sacred poetry. A Bard was an honoured member of the Tribe
who was welcome wherever he or she travelled – in a way they were the
newspapers of the day. We know from ancient poetry that the Bardic/Ovate
crossover was not so defined, and that the Bards were also Shamans.
They were trained in the Art of Magic using the power of poetry in
either praise or satire. Their Lore supplied the foundation to the
religious and magical practice of Druidry, telling the nature of the
Gods, the deeds of the Ancestors and the sacred places of the land.
Through the power of the sacred word, expressed through poetry,
storytelling and song, they invoked the blessings of the Spirit of
Place, and of the Gods and ancestors of the people.
The caste known as Bards had their own Shamanic practices, but it may be
that some Bards blended their creative skills with those of the Ovates
(or Vates). These were the prophets and seers. They worked with the
three realms of past, present and future and entered into trance states,
foreseeing the future fortunes of the Tribe. The Ovate was the Druid
Shaman.
The third ‘caste’ was the Druid. Much of what we know about the ancient
Druids comes from classical writers, and it might be that ‘Druid’ was a
collective term that included the Bards and Ovates, we simply don’t know
for sure, but either way we do know that they were highly respected
members of the tribe – the wise one who had passed through madness and
survived. This brought great wisdom and peace; the Druid’s role was
therefore that of advisor, teacher and judge. In Celtic mythology tribal
chieftains each had their Druid to whom they turned for advice during
times of need...read more>>>...
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Showing posts with label Druidism. Show all posts
Showing posts with label Druidism. Show all posts
Sunday, 31 December 2023
Sunday, 24 December 2023
The Druid Worlds
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The Worlds Original artwork by Matthew James |
Otherworld – The world or reality that exists in parallel with the physical/everyday world, that we visit sometimes in dreams or meditation, and that Druids believe we travel to on the death of the physical body. Used synonymously with the term ‘Spiritworld’.
Spiritworld – The world or reality that exists in parallel with the physical/everyday world, that we visit sometimes in dreams or meditation, and that Druids believe we travel to on the death of the physical body. Used synonymously with the term ‘Otherworld’.
Summerlands/The Blessed Isles/Hy Breasil – terms used in Druidry for the realm that exists in the Otherworld to which we travel on the death of the physical body.
Friday, 8 July 2022
Sunday, 8 August 2021
Quote for the Day
"Great, oh Spirit, thy protection. And in protection, strength. And in strength, understanding. And in understanding, knowledge. And in knowledge, the knowledge of justice. And in the knowledge of justice, the love of it. And in the love of it, the love of all existences. And in the love of all existences, the love of spirit and all goodness."
Friday, 6 August 2021
Blackthorn
[Druidry.org]: Blackthorn is depicted in many fairy tales throughout Europe as a tree of ill omen. Called Straif in the Ogham, this tree has the most sinister reputation in Celtic tree lore. The English word ‘strife’ is said to derive from this Celtic word. A long hard winter is referred to as a Blackthorn Winter.
To Witches, it often represents the dark side of the Craft. It is a sacred tree to the Dark, or Crone aspect of the Triple Goddess, and represents the Waning and Dark Moons. Blackthorn is known as ‘the increaser and keeper of dark secrets’.
The tree is linked with warfare, wounding and death, associated with the Scottish Cailleach – the Crone of Death, and the Irish Morrigan. In Scotland, winter begins when the Cailleach (also the Goddess of Winter) strikes the ground with Her Blackthorn staff.
According to Christian folklore, Blackthorn is seen as a sinister tree and associated with Witches. Blackthorn was often used for ‘binding and blasting’. A black rod is a Blackthorn wand with fixed thorns on the end, used to cause harm to others. In British folklore, a Witch will use a Blackthorn in rituals of cursing. The sharp thorns were reputedly used by English witches to pierce poppets in their curses, called the ‘pins of slumber’. In South Devon folklore in England, Witches were said to carry Blackthorn walking sticks, with which they caused much local mischief. Witches and heretics were burned on Blackthorn pyres. The Devil was said, in medieval times, to prick his follower’s fingers with the thorn of a Blackthorn tree.
Blackthorn is also associated with Witchcraft in Scotland. In 1670, in Edinburgh, Major Thomas Weir was burned as a Witch along with his most powerful magical tool – a Blackthorn staff, carved with a Satyrs head, which was said to have fantastic powers – it was even able to fly through the air. Major Weir claimed that he received this magic staff from the Devil, but it is more likely that he obtained it while he served as an officer under General Leslie in Ireland. The Major was a pious Covenanter, and people came from miles around to hear his sermons. He was considered the ‘Saint of West Bow’, until one day in 1670, instead of his usual sermon, he confessed years of debauchery with his sister, Jean, to the congregation. Brother and sister were both tried and condemned to death. His ghost, along with the infamous Blackthorn staff, is still said to haunt the Edinburgh West Bow district.
The Irish cudgel is called a bata, or more popularly, a shillelagh, (named for the Shillelagh forest near Arklow, in County Wicklow). Every young boy was trained to defend himself with this Irish fighting stick. Although sometimes made from Oak, Ash or Holly, the shillelagh is usually made from Blackthorn, which is hard, strong, plentiful, and has a convenient knob formed from the root of the shrub. The black bark is especially tough. The wood was cured by burying it in a dung heap or smearing it with butter, then placing it in the chimney.
Blackthorn can be used in spells of protection as well. In Irish tales, heroes were aided by the Blackthorn tree – if they threw a twig of Blackthorn after them, it would take root and form an impenetrable hedge or woods, thwarting the pursuing giant. In England Witches would carve the Norse rune thorn on a Blackthorn stave for protection. Often in fairytales, such as ‘Sleeping Beauty’, Blackthorn forms the thick, impenetrable thorn bramble that hides the magic castle from intruders and princes alike! In order to prove worthy, the prince must cut through this thorn forest to rescue the princess....<<<Read More...>>>...
To Witches, it often represents the dark side of the Craft. It is a sacred tree to the Dark, or Crone aspect of the Triple Goddess, and represents the Waning and Dark Moons. Blackthorn is known as ‘the increaser and keeper of dark secrets’.
The tree is linked with warfare, wounding and death, associated with the Scottish Cailleach – the Crone of Death, and the Irish Morrigan. In Scotland, winter begins when the Cailleach (also the Goddess of Winter) strikes the ground with Her Blackthorn staff.
According to Christian folklore, Blackthorn is seen as a sinister tree and associated with Witches. Blackthorn was often used for ‘binding and blasting’. A black rod is a Blackthorn wand with fixed thorns on the end, used to cause harm to others. In British folklore, a Witch will use a Blackthorn in rituals of cursing. The sharp thorns were reputedly used by English witches to pierce poppets in their curses, called the ‘pins of slumber’. In South Devon folklore in England, Witches were said to carry Blackthorn walking sticks, with which they caused much local mischief. Witches and heretics were burned on Blackthorn pyres. The Devil was said, in medieval times, to prick his follower’s fingers with the thorn of a Blackthorn tree.
Blackthorn is also associated with Witchcraft in Scotland. In 1670, in Edinburgh, Major Thomas Weir was burned as a Witch along with his most powerful magical tool – a Blackthorn staff, carved with a Satyrs head, which was said to have fantastic powers – it was even able to fly through the air. Major Weir claimed that he received this magic staff from the Devil, but it is more likely that he obtained it while he served as an officer under General Leslie in Ireland. The Major was a pious Covenanter, and people came from miles around to hear his sermons. He was considered the ‘Saint of West Bow’, until one day in 1670, instead of his usual sermon, he confessed years of debauchery with his sister, Jean, to the congregation. Brother and sister were both tried and condemned to death. His ghost, along with the infamous Blackthorn staff, is still said to haunt the Edinburgh West Bow district.
The Irish cudgel is called a bata, or more popularly, a shillelagh, (named for the Shillelagh forest near Arklow, in County Wicklow). Every young boy was trained to defend himself with this Irish fighting stick. Although sometimes made from Oak, Ash or Holly, the shillelagh is usually made from Blackthorn, which is hard, strong, plentiful, and has a convenient knob formed from the root of the shrub. The black bark is especially tough. The wood was cured by burying it in a dung heap or smearing it with butter, then placing it in the chimney.
Blackthorn can be used in spells of protection as well. In Irish tales, heroes were aided by the Blackthorn tree – if they threw a twig of Blackthorn after them, it would take root and form an impenetrable hedge or woods, thwarting the pursuing giant. In England Witches would carve the Norse rune thorn on a Blackthorn stave for protection. Often in fairytales, such as ‘Sleeping Beauty’, Blackthorn forms the thick, impenetrable thorn bramble that hides the magic castle from intruders and princes alike! In order to prove worthy, the prince must cut through this thorn forest to rescue the princess....<<<Read More...>>>...
Monday, 11 May 2020
Totem Bird of the Week - 'Blackbird'
The Totem Bird of the Week for Monday 11th May to Sunday 17th May 2020 is the Blackbird. This is a truly potent ancient medicine, representing higher faculty awareness signified by intuition, inner knowledge, understanding and magic. The ancient celts and druids revered the Blackbird for these very reasons. The appearance of Blackbird can signify some intuitive breakthrough about to occur ... wisdom and knowledge combined provides the understanding in a situation ... this is a good week for this occurrence.
Wednesday, 4 December 2019
Ash Tree - Celtic Meaning
[Druidry.org]: The Ash tree has always been given mystical import and character, frequently being associated with healing and enchantment. In Celtic literature, there are many references to the Ash tree, but in particular it is associated with the Welsh Magician-God Gwyddion, who bears an Ash staff/wand, a symbol of healing and especially transformation and empowerment in matters of destiny.
As such, in the Mabinogion, the magic of Gwydion is concerned with tricking Arianhrod to give the young Llew his arms which she had previous sworn never to do, having placed a Geis (or conditional curse or fate ) upon him. Gwydion used his powers of enchantment and transformation to create a phantom army fleet of ships which then tricks Arianhrod into giving Llew his arms, and thus removing the Geis upon his destiny. Llew is later said in the myth to rest as an Eagle in an Ash Tree.
Ash was often used for spear shafts or handles for weapons. Hence Ash can be also seen to be ‘checking the powers of peace’ as above in the Word Ogams of Morann Mac Main. In this sense, application of force to destiny may bring peace through resolution of a conflict - which would be seen as healing.
The English name Ash may have been derived from the Anglo-Saxon word Asec which is the name for a ritualistic spear. The name Nuin or Nin, literally means letters in the Celtic languages...<<<Read The Full Article Here>>>...
As such, in the Mabinogion, the magic of Gwydion is concerned with tricking Arianhrod to give the young Llew his arms which she had previous sworn never to do, having placed a Geis (or conditional curse or fate ) upon him. Gwydion used his powers of enchantment and transformation to create a phantom army fleet of ships which then tricks Arianhrod into giving Llew his arms, and thus removing the Geis upon his destiny. Llew is later said in the myth to rest as an Eagle in an Ash Tree.
Ash was often used for spear shafts or handles for weapons. Hence Ash can be also seen to be ‘checking the powers of peace’ as above in the Word Ogams of Morann Mac Main. In this sense, application of force to destiny may bring peace through resolution of a conflict - which would be seen as healing.
The English name Ash may have been derived from the Anglo-Saxon word Asec which is the name for a ritualistic spear. The name Nuin or Nin, literally means letters in the Celtic languages...<<<Read The Full Article Here>>>...
Thursday, 8 August 2019
Thursday, 21 June 2018
Brigid, Celtic Goddess of Fire
Goddess Gift: Born at the exact moment of daybreak, Brigid rose into the sky with the sun, rays of fire beaming from her head. She was the daughter of Dagda, the great 'father-god' of Ireland.
In Druid mythology, the infant goddess was fed with milk from a sacred cow from the Otherworld. Brigid owned an apple orchard in the Otherworld and her bees would bring their magical nectar back to earth.
It is said that wherever she walked, small flowers and shamrocks would appear. As a sun goddess her gifts are light (knowledge), inspiration, and the vital and healing energy of the sun.
The Celtic goddess Brigid lends us her creativity and inspiration, but also reminds us to keep our traditions alive and whole. These are gifts that can sustain us through any circumstance. Her fire is the spark of life...read more>>>...
In Druid mythology, the infant goddess was fed with milk from a sacred cow from the Otherworld. Brigid owned an apple orchard in the Otherworld and her bees would bring their magical nectar back to earth.
It is said that wherever she walked, small flowers and shamrocks would appear. As a sun goddess her gifts are light (knowledge), inspiration, and the vital and healing energy of the sun.
The Celtic goddess Brigid lends us her creativity and inspiration, but also reminds us to keep our traditions alive and whole. These are gifts that can sustain us through any circumstance. Her fire is the spark of life...read more>>>...
Thursday, 17 May 2018
Wisdom of the Druids
“Druids – A sacerdotal caste which flourished in Britain and Gaul. They were Initiates who admitted females into their sacred order, and initiated them into the mysteries of their religion. They never entrusted their sacred verses and scriptures to writing, but, like the Brahmins of old, committed them to memory; a feat which, according to the statement of Caesar, took twenty years to accomplish. Like the Parsis they had no images or statues of their gods. The Celtic religion considered it blasphemy to represent any god, even of a minor character under a human figure. It would have been well if the Greek and Roman Christians had learnt this lesson from the “pagan” Druids. The three chief commandments of their religion were: – “Obedience to divine laws; concern for the welfare of mankind; suffering with fortitude all the evils of life.”
“The mystery veiling the origin and the religion of the Druids, is as great as that of their supposed fanes is to the modern Symbologist, but not to the initiated Occultists. Their priests were the descendants of the last Atlanteans, and what is known of them is sufficient to allow the inference that they were eastern priests akin to the Chaldeans and Indians, though little more. It may be inferred that they symbolized their deity as the Hindus do their Vishnu, as the Egyptians did their Mystery God, and as the builders of the Ohio Great-Serpent mound worshipped theirs – namely under the form of the “mighty Serpent,” the emblem of the eternal deity TIME (the Hindu Kala). Pliny called them the “Magi of the Gauls and Britons.” But they were more than that. The author of “Indian Antiquities” finds much affinity between the Druids and the Brahmins of India. Dr. Borlase points to a close analogy between them and the Magi of Persia; others will see an identity between them and the Orphic priesthood of Thrace: simply because they were connected, in their esoteric teachings, with the universal Wisdom Religion, and thus presented affinities with the exoteric worship of all. ...read more>>>...
“The mystery veiling the origin and the religion of the Druids, is as great as that of their supposed fanes is to the modern Symbologist, but not to the initiated Occultists. Their priests were the descendants of the last Atlanteans, and what is known of them is sufficient to allow the inference that they were eastern priests akin to the Chaldeans and Indians, though little more. It may be inferred that they symbolized their deity as the Hindus do their Vishnu, as the Egyptians did their Mystery God, and as the builders of the Ohio Great-Serpent mound worshipped theirs – namely under the form of the “mighty Serpent,” the emblem of the eternal deity TIME (the Hindu Kala). Pliny called them the “Magi of the Gauls and Britons.” But they were more than that. The author of “Indian Antiquities” finds much affinity between the Druids and the Brahmins of India. Dr. Borlase points to a close analogy between them and the Magi of Persia; others will see an identity between them and the Orphic priesthood of Thrace: simply because they were connected, in their esoteric teachings, with the universal Wisdom Religion, and thus presented affinities with the exoteric worship of all. ...read more>>>...
Wednesday, 16 May 2018
Shamanism In The Celtic World
[Druidry.org]: Michael Harner describes a shaman this way: "A shaman is a man or woman who enters an altered state of consciousness - at will- to contact or utilize an ordinarily hidden reality in order to acquire knowledge, power, and to help other persons. The shaman has at least one, and usually more, "spirits" in his personal service."
Harner goes on to say, "To this I would add that, in his trance, he commonly works to restore a patient by restoring beneficial or vital power, or by extracting harmful power. The journey to which Eliade refers is usually undertaken to restore power or a lost soul."(2.)
It should be pointed out here that Michael Harner is talking primarily about healing shamanism. A case can be made for the existence of other forms of shamanism, such as warrior shamanism, hunting shamanism, or even evil or black shamanism. In actual practice though, the various forms often exist side by side, though shamans do typically specialize. Thus a healer is not ususally a warrior, etc.
Shamanism, in a "pure" sense, is usually characterisitic of paleolithic hunter-gatherer societies. As such, it can safely be said to represent humankind's earliest and most primal form of religion, magic and healing modality. It is also the most conservative and well established form of human spirituality, as we were hunter gatherers for literally thousands and thousands of years, far longer than the subsequent span of our collective history.
Contemporary thinkers like ecologist Paul Shephard and anthropologist Calvin Martin maintain that we are still, essentially, hunter-gatherers who have never left the Pleistocene era.(3.) This fits in well with many indigenous peoples' concept of the Original Instructions or Original Teachings, the primary and aboriginal rules for living received many thousands of years ago during the dreamtime or mythic beginning time of the tribe. The Celts were, nonetheless, advanced beyond the paleolithic, hunter-gatherer stage long before they became distinguishable from their Indo European cousins and arose as a separate cultural entity. However, given the notable conservatism of Celtic society, it is very likely that they preserved archaic elements and institutions long beyond other Northern and Western European peoples....read more>>>...
Harner goes on to say, "To this I would add that, in his trance, he commonly works to restore a patient by restoring beneficial or vital power, or by extracting harmful power. The journey to which Eliade refers is usually undertaken to restore power or a lost soul."(2.)
It should be pointed out here that Michael Harner is talking primarily about healing shamanism. A case can be made for the existence of other forms of shamanism, such as warrior shamanism, hunting shamanism, or even evil or black shamanism. In actual practice though, the various forms often exist side by side, though shamans do typically specialize. Thus a healer is not ususally a warrior, etc.
Shamanism, in a "pure" sense, is usually characterisitic of paleolithic hunter-gatherer societies. As such, it can safely be said to represent humankind's earliest and most primal form of religion, magic and healing modality. It is also the most conservative and well established form of human spirituality, as we were hunter gatherers for literally thousands and thousands of years, far longer than the subsequent span of our collective history.
Contemporary thinkers like ecologist Paul Shephard and anthropologist Calvin Martin maintain that we are still, essentially, hunter-gatherers who have never left the Pleistocene era.(3.) This fits in well with many indigenous peoples' concept of the Original Instructions or Original Teachings, the primary and aboriginal rules for living received many thousands of years ago during the dreamtime or mythic beginning time of the tribe. The Celts were, nonetheless, advanced beyond the paleolithic, hunter-gatherer stage long before they became distinguishable from their Indo European cousins and arose as a separate cultural entity. However, given the notable conservatism of Celtic society, it is very likely that they preserved archaic elements and institutions long beyond other Northern and Western European peoples....read more>>>...
Saturday, 21 April 2018
A Beginner's Guide to Druidism Level 1
Ever wondered what Druidism really is? It is a spiritual path with ancient roots ....
Friday, 15 December 2017
Saturday, 9 December 2017
The Druid’s Sacred Tools
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LONG MEG |
Focus, focus, focus. Magickal ritual has been aptly described by any number of authors as “moving meditation.” Just as, in purely mental meditation, one is greatly assisted by the use of an image or a mantra to anchor attention and keep the mind from wandering, so, too, a moving meditation draws strength of focus from physical objects that can fix attention in the same way.
Sacred space and sacred time. While the above aim can be achieved by a focus on, say, specific points on the ground, or specific parts of the body in motion (as when one casts a circle using only one’s fingertips), ritual tools, like ritual clothing, send a powerful signal to the mind that one has stepped outside the flow of everyday activities and undertaken something special and specialized. This is the greater part of what is meant when magicians speak of tools becoming “charged” or “imbued” with energy over the course of years working with them—the more hours one spends with a tool while consciously focused on spiritual work, the more powerful a trigger that tool becomes for putting the mind back into that same state with which it has become unconsciously associated.
Symbol, story, and narrative. The tools in your garage vary by what they move or adjust. The tools on your altar vary by what part of a story they tell. That story differs depending on the magickal tradition; a Druid’s tools tell a slightly different story about how the cosmos is structured, whence a magician draws his or her power, and how the acolyte becomes an adept.
Though Druids of different traditions have slightly different customs, and though various kinds of specialized work may occasion the use of more unusual devices, the three most common items in a Druid’s grove are a wand, a cauldron, and a crane bag...read more>>...
Saturday, 21 October 2017
Wednesday, 12 April 2017
What was Druidry?
The Druids were the educated elite of what is now called the “Celtic” race. The ancient Druids consisted of three “castes”, or divisions – Bards, Ovates and Druids.
The Bard learned all of the tales of the chieftain’s victories and the secret lore of sacred poetry. A Bard was an honoured member of the Tribe who was welcome wherever he or she travelled – in a way they were the newspapers of the day. We know from ancient poetry that the Bardic/Ovate crossover was not so defined, and that the Bards were also Shamans. They were trained in the Art of Magic using the power of poetry in either praise or satire. Their Lore supplied the foundation to the religious and magical practice of Druidry, telling the nature of the Gods, the deeds of the Ancestors and the sacred places of the land. Through the power of the sacred word, expressed through poetry, storytelling and song, they invoked the blessings of the Spirit of Place, and of the Gods and ancestors of the people.
The caste known as Bards had their own Shamanic practices, but it may be that some Bards blended their creative skills with those of the Ovates (or Vates). These were the prophets and seers. They worked with the three realms of past, present and future and entered into trance states, foreseeing the future fortunes of the Tribe. The Ovate was the Druid Shaman.
The third ‘caste’ was the Druid. Much of what we know about the ancient Druids comes from classical writers, and it might be that ‘Druid’ was a collective term that included the Bards and Ovates, we simply don’t know for sure, but either way we do know that they were highly respected members of the tribe – the wise one who had passed through madness and survived. This brought great wisdom and peace; the Druid’s role was therefore that of advisor, teacher and judge. In Celtic mythology tribal chieftains each had their Druid to whom they turned for advice during times of need...read more>>>...
The Bard learned all of the tales of the chieftain’s victories and the secret lore of sacred poetry. A Bard was an honoured member of the Tribe who was welcome wherever he or she travelled – in a way they were the newspapers of the day. We know from ancient poetry that the Bardic/Ovate crossover was not so defined, and that the Bards were also Shamans. They were trained in the Art of Magic using the power of poetry in either praise or satire. Their Lore supplied the foundation to the religious and magical practice of Druidry, telling the nature of the Gods, the deeds of the Ancestors and the sacred places of the land. Through the power of the sacred word, expressed through poetry, storytelling and song, they invoked the blessings of the Spirit of Place, and of the Gods and ancestors of the people.
The caste known as Bards had their own Shamanic practices, but it may be that some Bards blended their creative skills with those of the Ovates (or Vates). These were the prophets and seers. They worked with the three realms of past, present and future and entered into trance states, foreseeing the future fortunes of the Tribe. The Ovate was the Druid Shaman.
The third ‘caste’ was the Druid. Much of what we know about the ancient Druids comes from classical writers, and it might be that ‘Druid’ was a collective term that included the Bards and Ovates, we simply don’t know for sure, but either way we do know that they were highly respected members of the tribe – the wise one who had passed through madness and survived. This brought great wisdom and peace; the Druid’s role was therefore that of advisor, teacher and judge. In Celtic mythology tribal chieftains each had their Druid to whom they turned for advice during times of need...read more>>>...
Monday, 13 March 2017
Monday, 10 October 2016
Blackthorn: the Dark Crone of the Woods
Blackthorn is depicted in many fairy tales throughout Europe as a tree of ill omen. Called Straif in the Ogham, this tree has the most sinister reputation in Celtic tree lore. The English word ‘strife’ is said to derive from this Celtic word. A long hard winter is referred to as a Blackthorn Winter.
To Witches, it often represents the dark side of the Craft. It is a sacred tree to the Dark, or Crone aspect of the Triple Goddess, and represents the Waning and Dark Moons. Blackthorn is known as ‘the increaser and keeper of dark secrets’.
The tree is linked with warfare, wounding and death, associated with the Scottish Cailleach - the Crone of Death, and the Irish Morrigan. In Scotland, winter begins when the Cailleach (also the Goddess of Winter) strikes the ground with Her Blackthorn staff. According to Christian folklore, Blackthorn is seen as a sinister tree and associated with Witches. Blackthorn was often used for ‘binding and blasting’. A black rod is a Blackthorn wand with fixed thorns on the end, used to cause harm to others. In British folklore, a Witch will use a Blackthorn stang in rituals of cursing. The sharp thorns were reputedly used by English witches to pierce poppets in their curses, called the ‘pins of slumber' ... read more>>>...
To Witches, it often represents the dark side of the Craft. It is a sacred tree to the Dark, or Crone aspect of the Triple Goddess, and represents the Waning and Dark Moons. Blackthorn is known as ‘the increaser and keeper of dark secrets’.
The tree is linked with warfare, wounding and death, associated with the Scottish Cailleach - the Crone of Death, and the Irish Morrigan. In Scotland, winter begins when the Cailleach (also the Goddess of Winter) strikes the ground with Her Blackthorn staff. According to Christian folklore, Blackthorn is seen as a sinister tree and associated with Witches. Blackthorn was often used for ‘binding and blasting’. A black rod is a Blackthorn wand with fixed thorns on the end, used to cause harm to others. In British folklore, a Witch will use a Blackthorn stang in rituals of cursing. The sharp thorns were reputedly used by English witches to pierce poppets in their curses, called the ‘pins of slumber' ... read more>>>...
Saturday, 10 September 2016
The Legend of the Stone Circle ‘Long Meg and Her Daughters’
Long Meg by Matthew James |
“Legend tells that the stones were originally a coven of witches, turned to stone by the Scottish wizard Michael Scott,” writes Mysterious Britain. “This legend is common throughout Britain with variation, stone circles have been petrified sinners, wedding parties and giants.”
Many say that the stone circle is imbued with magic and that it is impossible to count the same number of stones twice. If this is achieved, legend says that the wizard’s spell will finally be broken.
“Even today the stones have the power to attract worship, many of the trees surrounding the site have been used as the depositories of offerings,” writes Mysterious Britain. “On our visit many objects had been left dangling from the trees wrapped in cloth, their contents unknown, but one would hope not too sinister.”...read more>>>...
Monday, 27 June 2016
"The Light In The East"
The night is dark and still,
In the circles centre,
A fire removes the chill,
The grove has gathered for autumn,
That time is now here,
She now makes her presence felt by all.
With the light of the fire comes other signs,
The wind in the trees,
Felt by all of existence,
Around this sacred space,
The earth below, and, the gentle rain overhead,
All gathered as one to feel it together.
ALL ENTER IN PRECIOUS SILENCE,
WITHOUT A WORD THEY TREAD,
THE SACRED GROUND,
TOWARDS THE LIGHT IN THE EAST,
WITH RIGHT HAND RAISED IN GREETING,
SILENT MOUTHS SPEAK A SOLEMN PRAYER.
The light in the east,
Made by a single candles glare,
In the memory of hope and unity,
A remnant of better times in lives before,
Now seemingly gone forever,
But with trust and truth, to come again.
The festival then follows,
A time of celebration,
Then a time of recognition,
Of the next celestial season,
For all is in harmony,
All is oneness on the wheel of time.
For this the light in the east burns forever,
Now stronger,
Now much brighter than ever before,
For the light of truth shines,
And it burns so bright,
Know this now will never change.
- Matthew James circa 1990
In the circles centre,
A fire removes the chill,
The grove has gathered for autumn,
That time is now here,
She now makes her presence felt by all.
With the light of the fire comes other signs,
The wind in the trees,
Felt by all of existence,
Around this sacred space,
The earth below, and, the gentle rain overhead,
All gathered as one to feel it together.
ALL ENTER IN PRECIOUS SILENCE,
WITHOUT A WORD THEY TREAD,
THE SACRED GROUND,
TOWARDS THE LIGHT IN THE EAST,
WITH RIGHT HAND RAISED IN GREETING,
SILENT MOUTHS SPEAK A SOLEMN PRAYER.
The light in the east,
Made by a single candles glare,
In the memory of hope and unity,
A remnant of better times in lives before,
Now seemingly gone forever,
But with trust and truth, to come again.
The festival then follows,
A time of celebration,
Then a time of recognition,
Of the next celestial season,
For all is in harmony,
All is oneness on the wheel of time.
For this the light in the east burns forever,
Now stronger,
Now much brighter than ever before,
For the light of truth shines,
And it burns so bright,
Know this now will never change.
- Matthew James circa 1990
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