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Sunday 11 November 2007

Symbols of Alchemy

Since ancient times symbols have been used to describe something that words were not adequate enough to express. The intellect has its limitations in comprehending spiritual verities. Intuitively, Man feels that the forces of nature are intelligently directed. How and why, his human mind is unable to explain. Cosmic principles, though inadequately described verbally by prophets of God, finds its inculcation upon the human mind expressively through symbols and signs.
Symbols are not restrictive, nor exclusive. Minds interpret symbols according to the level of their mental and spiritual development. The child-mind interprets a symbol in one way, while the transcendental mind would interpret it in another.

Most symbols are taken from Nature; others invented by Man, usually take on the form of combined geometric elements. Examples of the former are: the snake, which symbolises regeneration; the Scarabus--immortality; mountains--obstacles, etc. Examples of the latter: the Martinist pentacle--the unity of Man and Omneity; the Egyptian ankh--Life and Immortality; the circle--eternity.

Symbols have a certain usefulness in transforming the mind. Whatever man thinks upon, that he becomes. By meditating on symbols, or images representing power, love, holiness, and compassion, for example, through mental induction man unfolds such qualities within his nature.

Personally developed symbols are sometimes used as media for communicative exchange between the waking consciousness and the subconscious mind. This is effected by ascribing a certain attribute to a, preferably, invented symbol by repetitious thought and contemplation upon it. For example, the waking mind may ascribe to lightning as a symbol the meaning of danger by constant focus and suggestion upon it until it is absorbed by the subconscious mind. At a later date, when real danger is present, an intuitive impression with the lightning symbol would flash through from the subconscious to the waking mind, thus warning the individual. This method is also applicable to enrich and enlarge upon symbolic dream content and to induce the subconscious to utilize the newly absorbed symbols which are non-mystifying to the waking-consciousness.

Alchemy is very rich in symbolism. The Royal Art itself is sometimes represented by the Pelican and the Phoenix bird. The latter was invented by mystics in Alexandria during its heyday; the former, by a group of Knights Templer in the British Isles.

Alchemical symbols of past ages were designed to reveal, as well as to conceal; to stimulate the mind to awaken from its intellectual-complacency. Alchemical mandalas describe processes of transmutation. Truths, laws, and principles, which are pertinent to an aspirant's spiritual unfoldment, are similarly depicted within mandalas. Such truths were obscured by vague language and inexplicable diagrams for protection from persecution, because truths, for some reason, were, and still are, considered heretical by Christian orthodoxy. In accord with this dire situation, alchemical symbols, as an expedient, took on Christian coloration.

Let us examine the following common alchemical symbols:

1) The Hermaphrodite
2) Dragons
3) The Caduceus

The Hermaphrodite
Modern psychology has discovered that the human psyche possesses both masculine and feminine qualities. The male and female polarities are present no matter what our biological gender. One polarity in the human psyche is, however, usually repressed to the background in the Id, the subconsciousness, to the detriment of the psychological equilibrium and stability of the waking consciousness.

There are hierarchies of development and transformation of both male and female qualities evolving within the psyche. The "lowest" rung of the female hierarchy is the "Harlot," later transfiguring into the "Virgin" of the succeeding rung, and on to the High Priestess" and the "Empress" of the higher stages. The masculine side has its transformation from "Barbarian," to "Knight," "Hierophant," and "Emperor."

The Hermaphrodite symbolically represents the ideal anima and animus in symbiotic conjunction; the highest aspect of the male and female qualities in perfect balance and unity within the psyche. This is the state of unity that every man and woman unconsciously seeks in an external partner. The search for wholeness should really take place within. Man's union with Omneity is preceded by man's union with his alter ego within his waking consciousness.

Any individual with such a coordinated psyche functions balancely and creatively in society. An aura of holiness enfolds the person; the world knows the person as a compassionate, wise, and powerful being. He, or she, is the "twice-born."

Esoteric tradition teaches that in a future Root Race individuals will be hermaphrodites. Aside from having an androgynous psyche, man would biologically possess two spinal columns with the cerebra-spinal and autonomic nervous system functioning in a closer relationship. Individuals who are capable of controlling autonomic functions such as the heart beat, is a certain indication of where the biological and physiological aspects of man are evolving.

Dragons
There are many myths and legends concerning heroes slaying dragons that are to be found in the mythology of various cultures. We hear in Greek myth of Apollo vanquishing Python; Siegfried, St. George, Krishna, Hermes, and many other heroic figures have also had their dragons to slay. There are basically two species of dragons to be found in alchemical mythos: the celestial, and the terrestrial dragon. The latter dragon is sometimes called "the red dragon."

What do dragons represent? Dragons are symbols of raw energy within the psycho-biological organism of man. The terrestrial dragon in the microcosm, is the kundalini fire nesting in the kanda. In the average person, this energy is used mainly in sexual gratification and indulgence in sensual activities. Slaying the dragon symbolizes the tapping of this energy for higher uses of the Ego. The student-hero utilizes the sword, symbolic of the will, to overcome the beast within, does so by directing the kundalini fire upwards toward the brain centers via the channel called sushumna--stimulating creativity of a higher order as a result. Illumination is the consequence of the internal marriage that takes place between the negative kundalini force and the higher positive Christic force, symbolised by the celestial dragon, within the Holy of Holies of the sanctum within the cranium. In a symbolical sense, the hero is smeared by dragon's blood making him immortal. The resurrected Kundalini is sometimes represented by the Phoenix bird.

The individual who has his kundalini raised permanently and hissing through the Third Eye, is honorably called a "Naga," a Hindu mystic term for "dragon," or "serpent." With the experience of illumination, the Naga realizes the oneness and unity of life. The Naga is known for his wisdom in his words, action, and behavior. Master Jesus is presumed to have praised the enlightened Nagas by exhorting his followers to be "as wise as a serpent . . ." Dragons, occasionally, represent the unresolved and repressed energies to be found in the psyche--the "monsters of the id"--such as phobias, neurosis, guilt feelings, and the like.

From the geo-terrestrial angle, dragons represent certain currents of magnetic energy found in certain parts of the earth's terrain. They could perhaps be called "chakras of the planet." They also correspond to accupressure points in the body of man. Ley lines are, likewise, associated with geo-terrestrial dragons. The Knights Templers had certain knowledge in this regard--they knew how to determine the locations of magnetically-charged regions. Such hallowed grounds were chosen as sites for cathedrals, chapels, and temples. Dragons are sometimes associated with the body, soul, and spirit of Man.

The Caduceus
Mystic gurus, when instructing disciples, sometimes adopt teaching devices to train their chelas. The Caduceus is one such device. It represents the major nadis, or subtle nervous system to be found in man's occult anatomy.

The Caduceus, or staff of Mercury, is composed of a rod with two snakes intertwined around the rod. The rod represents sushumna, an etheric counterpart of the spinal cord. Within the sushumna there are other subtle nerves, channels of refine energy; they are called by yogis "Vajrini," "Chitrini," and "Brahman." The sushumna extends upwards and outwards into the Overself as the "Sutratma." Pingala and Ida are the two nadis depicted by the snakes. The junctions where the snakes and rod meet are symbolic of the major chakras. Vagabond yogis sometimes carry bamboo staffs with seven knots on it to represent sushumna and the chakras.

Atop of the caduceus rod is a knob; a vine creeper is sometimes attached to this knot ending somewhere midway at the staff. The protuberance represents the medulla oblongata with the vagus nerve, the creeper, connected to it. The vagus nerve ends in the thoracic region. Each of these components plays an important role in man's mystic development. They serve various spiritual functions.

Occasionally, a pair of wings are to be found appended to each side of the knob or rod. This indicates that the kundalini energy at the base of the sushumna had been raised and resurrected. Angelic wings symbolize a superior degree of consciousness and mind.

As a whole, the caduceus symbolizes regeneration and enlightenment. It further depicts the attunement of the mind of man with the Cosmic Mind.

In bygone days, in the Mystery Schools, only the adepts and those of a higher standing were worthy enough to hold such a symbolic staff in their hands. Sometimes the caduceus, or versions of it, were magnetized with odic energy and Atmic force. The Thyrsus held in the hands of hierophants of the Eleusian Mystery School was one rod with such a divine quality impregnated into it. It was primarily designed to stimulate the kundalini fire of the disciples and initiates when their gurus deemed it necessary and appropriate at certain stages of their spiritual growth. The act of impregnating a mystical or religious object with divine influences is called "consecration," or "magnetization."

Some occultists interpret the caduceus as representing the Universal Magickal Agent. This magickal force is used abundantly in theurgic and thaumaturgic operations. Egyptian hierophants were adepts in the application of this force. The laws and principles involved in controlling the agent were transmitted under oath of secrecy to seekers of Light. Appolonius, Pythagoras, and Moses are names that come to mind when considering the display of so-called miracles. These eminent individuals were all initiates of the Mystery schools in the Land of Khem.

Nowadays, the Caduceus is an emblem employed by the medical profession. Only in recent years is this branch of science discovering the subtle energies with which this emblem is silently pointing.