Cutting directly to the chase, Vyz asked when we believed the first blows in the title fight should be expected. In response, this writer told Vyz and the Knoll audience that a world war would not be possible until nations could produce troop surges that would put a million boots on the ground. Demographic bleed and a considerable drop in replacement births, courtesy of the power elite's depopulation efforts, limits present war-making capabilities and guarantees that such a conflict will be delayed for several years. Vyz accepted this assessment of the situation and moved on to the next part of the show.There is, however, other war preparations that may have to be made that only came to this writer's mind after the show was over. Those preparations would not take place on the earth, but above it. For enthusiasts of space travel and man's attempts to conquer gravity, space is considered the final frontier. But for the military establishments of the world's most powerful nations, space has become the final battleground.
The concept of space weapons may have found its beginning in the most unlikely of places: late 19th century science fiction stories. These early literary fantasies imagined a super weapon with destructive force that beggared description. The super weapon came in many shapes and sizes and quickly shed its terrestrial chains within the pages of science fiction novels.
In 1889, Frank Stockton introduced the concept of the super weapon in his novel The Great War Syndicate. In this science fiction novel, which first appeared as a serial in the popular Collier’s Weekly, a war between America and Britain prompts 23 extremely wealthy super-capitalists to form a syndicate committed to defeating the British foes and reaping tremendous profits in the process (Franklin 152). Once assembled, the Great War Syndicate builds the “Motor Bomb,” a weapon that almost mirrors the atomic bomb (152).
A mere demonstration of the Motor Bomb convinces the British to cease all hostilities and an alliance between England and America follows (152). This alliance leads to the transformation of the story’s elite cabal into the “Anglo-American Syndicate of War” (152). Under the benevolent rule of the Syndicate, the world goes on to bear eerie resemblance to the imperialist vision of John Ruskin and his disciple, consummate elitist Cecil Rhodes. English becomes the universal language and the rest of the world is civilized by the Anglo-American alliance (Conspiracy Archives)
