Alchemy is a multifaceted subject. It is an early form of chemical technology exploring the nature of substances. It is also a philosophy of the cosmos and of mankind's place in the scheme of things. Alchemy developed an amazing language of emblematic symbolism which it used to explore the world. It had a strong philosophical basis, and many alchemists incorporated religious metaphor and spiritual matters into their alchemical ideas.
About four thousand printed books were issued from the 16th through to the late 18th centuries, exploring alchemy from a multiplicity of different perspectives. Many thousands of manuscripts, hand written works, letters, notes and commentaries exist in the libraries of
In the 20th century, interest in alchemy was revived, following its decline and total eclipse in the 19th century. Today alchemy is often used as a catch word for obscure and enigmatic symbolism, or for the idea of spiritual transformation and inner change.
Most people who take an interest in alchemy use it as a source of philosophical and esoteric ideas, to support the particular belief system to which they have attached themselves. Thus they use alchemical ideas and symbolism as part of their interest in Kabbalah, or Tarot cards, or some esoteric or magical system. As alchemical ideas and symbolism are obscure and difficult to understand, such people feel free to adapt alchemical material to suit their agenda and prior intentions. Unfortunately, this has not led to a deeper understanding of alchemy itself, but rather to a mere plundering it for material to fit into an existing mindset and structure.
Another group of people see alchemy as a part of depth psychology. They see alchemical symbols as archetypes existing somehow within every human being, and that alchemy can have the key to unlocking an understanding of the innermost and unconscious part of the psyche, which is supposed to be the main part of our being (using the analogy with the iceberg, 90% of which is hidden under the sea). Though this can be a persuasive and seductive idea, not everyone is able to accept such a view. The philosophical basis for this is a belief system that developed in the middle of the 20th century, and although it is contemporary and seemingly relevant to our lives today, this is, by its very nature, not something that can be proved, or even argued about, as it is essentially a belief driven system.
Alchemical imagery is often used, almost as decoration, in books and on many websites, often associated with things and ideas to which these images have absolutely no connection. However, the emblematic imagery remains vital and inspiring, and is one of the main ways in which people enter into some appreciation of alchemy. A few modern artists have been inspired by alchemical material.
We have all been presented with the rather romanticised view of the venerable old alchemical philosopher huddling over his flasks of bubbling liquid immersed in his quest for the elusive philosophers' stone, a mere grain of which will change a mass of molten lead into the purest form of gold.
This image of the alchemist was one which developed relatively early on in the history of alchemy, but it became a very popular view in the 20th century and to most people this is almost all they know about the subject.
Another view that developed was that alchemists were mysterious adepts belonging to some secret society and exchanging messages in a coded form. They were even seen as having paranormal powers which enabled them to do all sorts of magical things and live to an extreme old age. Thus alchemists became confused in the popular imagination with the image of the magician.
These stereotypical views of alchemy do not really allow us to appreciate the breadth of alchemy and the various ways in which it inspired people over the centuries.
